I, like all the best people, have spent the last month or so being absolutely amazed that there was a time before Janelle Monáe’s ‘Dirty Computer’ existed, and that apparently there was music before now. It’s a lot to deal with, you know? Obviously, this album is important for a number of reasons, the most pressing of which is that it BANGS. However, it is also an amazing record of queerness and female auteurship in a male dominated society.
And of course, all of this is rather like the work of Hildegard of Bingen.