I, like all the best people, have spent the last month or so being absolutely amazed that there was a time before Janelle Monáe’s ‘Dirty Computer’ existed, and that apparently there was music before now. It’s a lot to deal with, you know? Obviously, this album is important for a number of reasons, the most pressing of which is that it BANGS. However, it is also an amazing record of queerness and female auteurship in a male dominated society.
And of course, all of this is rather like the work of Hildegard of Bingen.
Continue reading “Considering bad motherfuckers: Hildegard of Bingen and Janelle Monáe”
I’m not sure if you’re aware of this, but a lot of hip hop songs refer to ‘hoes’. (I know, I know, stay with me.) What that can mean in any given context varies, of course, but in general terms what we’re talking about are either sexually available women in general, or specifically actual sex workers.
The thing about the hoes is that whether you’re announcing to a woman that she is one (before taking her to a ho-tel), reminding everyone that you can’t trust them, telling them to leave if they can’t accept the basics, or simply wondering where they at – hoes are an integral part of the hip hop landscape.
In many cases the very concept of masculinity is pinned to one’s ability to either attract hoes, or traffic them, a situation which ain’t easy, and makes it hard out here for a select group of men.
Across the board, however, one thing is certain about hoes – they are not worthy of respect, and the fact that men don’t respect them is absolutely paramount to their street cred. Jay-Z wants you to know he doesn’t eat with them. Snoop just needs you to understand that G’s are more important than them. Hoes are women who are available for sex, but don’t have the ability to hold emotional focus or respect from men.
Continue reading “These hoes ain’t loyal – on prostitutes and bad bitches in medieval and hip hop culture”